A critical analysis of the dramatic structure and relevance of the cassandra scene in agamemnon

They are amazed by her ability to correctly speak about the events that have occurred in the house of Atreus in the past though she comes from a land overseas, and they listen to how she came to have her particular powers.

At least we know that Aeschylus had the image of blood on the ground very much in his mind during the making of the trilogy, and thus it might well have colored the carpet for its prominent role in the critical scene of Aga- memnon's home-coming. Cassandra is a guiltless sufferer and toward her Clytemnestra is no longer an agency of retribution; she is simply vengeful.

Winning the Athens drama festival, his trilogy The Oresteia earned him recognition from the start and has been one of the most influential works of the Western canon ever since.

Their low esteem only makes Clytaemnestra angrier and crueler. When he was nearly finished eating, Thyestes discovered that he was eating the flesh of his recently murdered children.

After the Chorus of old men, much of the main action of the play revolves around the antagonism and debate between Clytemnestra and Agamemnon. The latter is marked early in the play through the Furies' gruesome tracking of Orestes e.

Aegisthusthe son of Thyestes, is bent on avenging on the son of Atreus the wrong done Thyestes by Atreus.

Agamemnon: Character Profiles

It varies with the particular intent in the given play so as to preclude adequate comparative illustration in the space at my disposal. Aeschylus, for his own times, sees that these subliminal aspects of life must be met and dealt with, and not by a process of violent cautery; instead by a process of psychic integration: He has us see the horror of matricide and feel with him the more elemental, irrational forces that link life to life.

To her, he is the man who murdered her child, Iphigenia, the product of Agamemnon's own blood. Clytaemnestra enters and explains how difficult life has been for her while Agamemnon was gone. Without dialogue, his suspicions of her would have to be voiced directly, which would undercut the nature of suspicion.

Indeed this last fact constitutes one of three developed aspects of the internal, verbal-dramatic structure of the Agamemnon and of the trilogy which join with the obvious fact of Aga- memnon's murder to indicate that the colors of blood and death lurk in the carpet and have significance there.

Agamemnon shows himself uncomfortable until she coyly states that she was talking about their son Orestes, who is off in exile.

The Character of Cassandra in Agamemnon by Aeschylus

Aeschylus has been called the father of tragedy and is the first great writer in this genre. In so doing we shall not need to consider so much the local details of the episode, but the context within which the Nurse has her role-particularly, the issue of the relation of mother and child.

It is now the only surviving trilogy by Aeschylus, who is credited as the first to have written interwoven trilogies for the competition while other playwrights were submitting three unrelated pieces.

In theory, a character who can see the future would seem to be an ideal contrivance for a playwright to foreshadow what is coming up next to the audience, but in Aeschylus's situation, there was no need for that because he was dealing with old, familiar tales that most members of his audience would know.

Piercing oratory is exchanged between Orestes son of Agamemnon who returns to Argos in disguise, and his mother, from whom he has been separated for many years.

According to legend, Agamemnon was forced to sacrifice his own daughter's life before the goddess Artemis would allow the Greek ships to sail from their shore. When the Leader asks if she might have dreamed this, Clytaemnestra is offended. Clytaemnestra announces that she is not without defenses.

They eagerly look forward to the return of their king, Agamemnon. Her ability to play on his overweening pride tells us much about the flawed nature of the king.

Ostensibly, this continued in the golden age of Athens during which Aeschylus actively wrote. The Chorus declares that Clytaemnestra is either insane or horrifyingly evil, telling her that she will be brought to justice for killing the king.

In his comedy The Frogs, first performed at the Festival of Dionysus in bce, Aristophanes dramatizes a scene with Euripides and Aeschylus competing in Hades for the title of "Best Tragic Poet" before the god Dionysus, who, despairing of the state of modern tragedy, can take one of the playwrights back to the surface to revive his festival.

Aegisthus survived and was raised out in the countryside, educated in hatred for Atreus and his sons, Agamemnon and Menelaus. Recepte fur Silber, Steine und Purpur Uppsala,ed. Winners of the dramatic competitions were recognized with a crown of ivy. The introduction of the Nurse to under-cut many of the mother's possible claims shortly prior to her murder works to this end, while the common-sense human normalcy the Nurse injects into the issue moves us on toward important developments in the Eumenides-particularly, the partial resolution of the chain of murders through the instrumen- tality of rational process and law.

The enormity of the tragedy in New York and Washington may be beyond the ability of works of literature to encompass in any truly meaningful way. Aeschylus of Athens, Euphorion's son, this tomb covers, Who died at wheat-bearing Gela; His valour of high repute the grove of Marathon would attest And the long-haired Mede who came to know it well.

She gives orders for Agamemnon to be sent to her when he returns, and then she leaves. They do not trust her judgment, particularly because they do not think a woman is fit to rule a country like theirs.

The Athenian scholar Erastosthenes calculated in the third century bce that the fall of Troy occurred around bce, which is so close that historians assume that each calculation is talking about the same event.

According to scholars in the Classical field, it is presumed the audience of Aeschylus would have know the shared stories of their culture such as myths about the gods and goddesses, hero cycles like those pertaining to Hercules or Theseus, and tales concerning the exploits of warriors who fought in the Trojan War.

Athena with her wisdom and reputation for fairness persuades both sides to agree on a trial in which "the first men of Athens" will sit as jurors and will cast their ballot stones after hearing all of the evidence.

Instead their respective speeches work to set a telling breach between his perception and Clytemnestra's intent, and the action then works to show Agamemnon subdued. By implication the carpet poses a powerful latent threat whose full significance only emerges in time-in the progressing course of the drama.

According to the version of the story she tells in Agamemnon, she had a relationship with Apollo but managed to avoid becoming pregnant with his child.Perhaps even more important than this obvious role is what Cassandra adds to the dramatic quality of the Agamemnon.

In a play in which so much of the crucial action has to be described, either because it happened in the past or because it is violent, Aeschylus uses Cassandra's gift of prophecy to great effect.

Indeed this last fact constitutes one of three developed aspects of the internal, verbal-dramatic structure of the Agamemnon and of the trilogy which join with the obvious fact of Aga- memnon's murder to indicate that the colors of blood and death lurk in the carpet and have significance there.

- Analysis of Aeschylus Agamemnon Characters- The Watchman Clytaemnestra The Herald Agamemnon Cassandra Aegisthus The Chorus 1).

Agamemnon: Essay Q&A

- Aeschylus was, by all accounts, a notable participant in Athens’s major dramatic competitions. Regarded as the father of tragedy, Aeschylus used poetry to address ethical dilemmas that were often.

What is the primary function of Cassandra in Agamemnon?

Throughout the Odyssey, the story of Agamemnon, Klytaimnestre, and Orestes is paradigmatic for that of Odysseus, Penelope, and Telemachos. The Odyssean “Oresteia,” as the story will be referred to here, provides examples of the kinds of perils that could await Odysseus, and of the resources on.

Feb 27,  · Dramatic suspense in "Agamemnon" Question: 1. How does Aeschylus build intense dramatic suspense around Agamemnon's home coming in the play The opening scene of Aeschylus’s “Agamemnon.

How does the character of Cassandra in Agamemnon demonstrate the themes of the play?

A Critical Examination of the Dramatic Structure and Relevance of the Cassandra Scene in the Agamemnon PAGES 3. WORDS 1, View Full Essay. More essays like this: trozan war, the agamemmon, king priam, cassandra scene.

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A critical analysis of the dramatic structure and relevance of the cassandra scene in agamemnon
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